The dimly lit chamber of the dukhang has especially fine wall murals, showing strong Kashmiri and Nepali influences; bring a powerful torch (flashlight) to enjoy the rich detail. The Kashmiri influences are noticeable in the shading on the hands and feet, the ornate jewellery and dress, the tight stomach lines and non-Tibetan images of palm trees and dhotis (Indian-style loincloths). Scholarly opinion varies on whether the murals date from the 13th and 14th, or 15th and 16th centuries.
The main statues here are of the past, present and future buddhas (all of recent origin), and there’s also a footprint of Rinchen Zangpo. The lower walls of the inner area have murals depicting the life of the Buddha and the founders of the monastery. Murals of the protectors Dorje Jigje (Yamantaka) and Namse (Vairocana) decorate the main entry.
